ABOUT THE FILM
The film tells the story of Chronos, the personification of time and the inability to realize his desire to love for a mortal. The scenes blend a series of surreal paintings of Dali with dancing and metamorphosis. The target production began in 1945, 58 years before its completion and was a collaboration between Walt Disney and the Spanish surrealist painter, Salvador Dalí.
Salvador Dali and Walt Disney Destiny was produced by Dali and John Hench for 8 months between 1945 and 1946. Dali, at the time, Hench described as a “ghostly figure” who knew better than Dali or the secrets of the Disney film. For some time, the project remained a secret. The work of painter Salvador Dali was to prepare a six-minute sequence combining animation with live dancers and special effects for a movie in the same format of “Fantasia.” Dali in the studio working on The Disney characters are fighting against time, the giant sundial that emerges from the great stone face of Jupiter and that determines the fate of all human novels. Dalí and Hench were creating a new animation technique, the cinematic equivalent of “paranoid critique” of Dali. Method inspired by the work of Freud on the subconscious and the inclusion of hidden and double images.
Dalí said: “Entertainment highlights the art, its possibilities are endless.” The plot of the film was described by. Dalí as “A magical display of the problem of life in the labyrinth of time.”
Walt Disney said it was “A simple story about a young girl in search of true love.”
Destino premiered on June 2, 2003 at the Annecy International Animated Film Festival in Annecy, France. The film was nominated for the 2003 Academy Award for Best Animated Short Film. Destino was released theatrically in a very limited release with the film Calendar Girls.
In 2005, the film was shown continuously as part of a major retrospective Dalí show at the Philadelphia Museum of Art, titled The Dalí renaissance: new perspectives on his life and art after 1940.
The film was also shown as part of the exhibition Dalí & Film at Tate Modern from June to September 2007, as part of the Dalí exhibit at the Los Angeles County Museum of Art from October 2007 to January 2008; at an exhibition at New York’s Museum of Modern Art called Dalí: Painting and Film from June to September 2008; also at an exhibit at the Dalí Museum in St. Petersburg, Florida in 2008. In mid-2009, it had exposure in Melbourne, Australia at the National Gallery of Victoria through the Dalí exhibition Liquid Desire, and from late 2009 through April 2010 at the Dayton Art Institute in Dayton, Ohio, in an exhibit entitled Dalí and Disney: The Art and Animation of Destino.
As of 2012, the film is featured in the “Dalí” exhibition at the Centre Georges Pompidou in Paris, France.